Orson Van Gay II’s top notes were thrilling...
OperaWire
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'Colors of a Lyric'
What critics are saying...
..."With a liquid silver tone in his lyric tenor voice and confident clarity of text"... "There is a compelling urgency in his tone that wins the listener's heart."
..."Top notes were perfect and the vulnerability and beauty throughout caught us in the thrall of anticipated greatness for this young vocalist as he builds a career"
..."Top notes were perfect and the vulnerability and beauty throughout caught us in the thrall of anticipated greatness for this young vocalist as he builds a career"
"Mr. Van Gay had high notes of his own in a song from Flotow's Martha. He carried a rose and sang of love and despair, regaling us with the exciting ring (squillo) in the highest notes of his tenor voice...there are moments when Orson brings to mind the great German tenor Fritz Wunderlich (1930-1966)."
-Art Song Update
Issue #86
http://artsongupdate.org/Issues/Issues.htm
-Art Song Update
Issue #86
http://artsongupdate.org/Issues/Issues.htm